 |
| ||||||||||||
Excellent explanation. Thanks for sharing your point of view, I find some inspiration in your thinking.
Sorry for the late reply:
I like to abstract the curves and volumes of the human figure in ways that emphasize poses and certain features. By multiplying and rearranging different features [such as hands and feet], I feel that I can improve and make the composition much more interesting, and add a variety of emotions into a piece [hands, for instance, carry a lot of body language by themselves, and using multiple hands, each with its own language, to represent an otherwise single hand allows me to breathe more life into a picture than using realism alone]. As with cubism, I feel I can bypass the 'single point in time from a single viewpoint' effect by capturing a subject at multiple moments, from multiple angles, and then working them together to create one unified piece.
I like representing mass to the strongest, most believable degree possible -- shapes and volumes should 'pop' out from the piece, and form a hierarchical layering between themselves.
Again you mix 2d and 3d in a very personal way! Like it!
I don't know why (can't put my finger really on it 
) but I really like this! 7/7
Wow, that's amazing!
My only problem would be that all the colors are so bright, with no darker shades. I guess what I mean is that the contrast is a little low. Otherwise, it's beautiful!
I mean really, the shape and form is just wonderful.
please make more pixel art.